![]() ![]() Once this is done, all you have to do is sound check. ![]() From there, they can adjust their in-ears themselves. Lastly, all we had to do was get all of our musicians setup with the mobile app. After those four, we have our individual breakouts that allow us to access all of our vocal mics, instruments, pastors’ mics, and effects. By moving one slider for the whole group, the connected channels will adjust in real time. ![]() This allows us to turn the whole groups on/off or control the sliders. The way we have it set up is by combining the first four channels into their own DCA groups. If you do need another bank for the sliders, it’s just one button press away to access the next 16 channels. on one ‘page,’ or bank, and not have to be hunting for the right fader during service. ![]() Since you have 16 channels, with their own faders, you can pretty much set up all of your mixes, effects, etc. The user banks are the way to go when setting up your rig for Sundays. So definitely don’t try and set this up on the fly, take some time and get to know it and familiarize your team with it. That’s a steal when it comes to cutting edge, professional grade sound equipment.įor us, it took a good one to two days to get this fully setup and customized to our preferences. Including the $2,000 console, a 16 channel stage box at $800, and an 8 channel stage box for $600, that totals to only $3,400. ![]()
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